Cecil Taylor on Artistry and Time

...I mean the first time I saw Carmen Amaya dance, in 1955, it was as though everything stopped for me, I mean everything stopped. When you see that. Now that, to me, is the highest kind of compliment that can be paid to another artist, to make somebody else lose all sense of time, all sense of their own existence outside, like the perception of all their energies on that figure. That to me is the greatest. (Cecil Taylor, interview with Bill Smith, 1974-09-07)

This is absolutely what it was like for me every time I saw Cecil Taylor live. (And that Bill Smith interview is one of the best I've read with Mr. Taylor.)