Showing posts with label Barry Altschul. Show all posts
Showing posts with label Barry Altschul. Show all posts

Monday, February 12, 2024

Playlist, Week of 2024-02-11


The 1977 Muhal Richard Abrams quintet gig is a wonderful audience recording from Ali's Alley in NYC, featuring Roscoe Mitchell, Henry Threadgill, Steve McCall, and Fred Hopkins...now there's a lineup!... as always, Muhal is generous with the solo space, so there's lots of stretching out here... I thank the music gods that I got to see McCall and Hopkins together with Arthur Blythe at the Vanguard... right place, right time... Spihumonesty is another great chamber jazz album from Muhal with knotty melodies that I can't quite wrap my head around... I love the uncertainty... Barry Altschul's You Can't Name Your Own Tune is a brilliant album with generous helpings of Muhal on piano, especially on "Cmbeh" (incidentally, a Muhal composition)... Ethan Iverson has a nice review of this album here... For some great ensemble keyboard playing that's not Muhal, check out Alexander Hawkins on Ingebrigt Håker Flaten and Paal Nilssen-Love's Guts & Skins: super-exciting...

Playlist 2024-02-12:

*AACM Great Black Music Ensemble: Umbria Jazz 2009, Perugia, Italy (CDR) (discs 2, 4)
*Muhal Richard Abrams: Lifea Blinec
*Muhal Richard Abrams: Spihumonesty (sides 1, 2)
*Muhal Richard Abrams Quintet: 1977-03-04 NYC (CDR) (discs 1, 2, 3)
*Barry Altschul: You Can't Name Your Own Tune
*Tim Berne's Snakeoil: The Deceptive 4 (Live) (disc 1) "Perception"
*Anthony Braxton: Nine Compositions (DVD) 2003 " (tracks 1-4, 6)
*Rodger Coleman and Andrew Dickson: 2016-12-14 Nashville (CDR)
*Rodger Coleman and Sam Byrd: 2023-12-29 Nashville (rough mix wav)
*John Coltrane: The Prestige Recordings (discs 7, 8)
*Wild Bill Davis/ Johnny Hodges: Con-Soul and Sax (side 2)
*Dimitriadis/Dörner/Freedman/Parkins/Williams: BeingFive
*Duke Ellington and His Orchestra: The Treasury Shows, Vol. 22 (disc 2)
*Duke Ellington and His Orchestra: The Treasury Shows, Vol. 23 (disc 1)
*Duke Ellington and His Orchestra: Masterpieces by Ellington (sides 1, 2, 3, 4)
*Duke Ellington and His Orchestra: Ellington Indigos (side 1)
*Duke Ellington and His Orchestra: Festival Session (side 2)
*Duke Ellington: Ellington '66 (side 1)
*Ensemble Dedalus & Erikm: Fata Morgana
*Farmers By Nature: Love and Ghosts (disc 2) "Bisanz"
*Aretha Franklin: Runnin' Out of Fools (sides 1, 2)
*Ingebrigt Håker Flaten/Paal Nilssen-Love: Guts & Skins
*Kate Gentile: Mannequins
*Grateful Dead: Dick's Picks 4 (1970-02-13 Fillmore East) (disc 2) "That's It for the Other One"
*Grateful Dead: 1970-09-19 Fillmore East NYC (CDR) "Dark Star"
*Dave Holland: Uncharted Territories (disc 2)
*Curtis Mayfield: There's No Place Like America Today
*Matt Mitchell/Kate Gentile: Snark Horse (disc 6)
*Nicole Mitchell's Sonic Projections: The Secret Escapades of Velvet Anderson
*Roscoe Mitchell: Sound Songs (disc 1)
*New Ting: 2024-01-29 "Here's Your Organ Donor" (wav)
*Sam & Dave: Hold On, I'm Comin' (side 1)
*Sun Ra And His Intergalactic Research Arkestra: Paradiso Amsterdam 1970 (side 2)
*Art Tatum: The Art Tatum Solo Masterpieces Vol. 7
*Cecil Taylor: Unit Structures (side 1)
*Cecil Tayor: Conquistador! "With (Exit)" (alternate take)
*Cecil Taylor: Algonquin
*Henry Threadgill 14 Or 15 Kestra AGG: Dirt... And More Dirt

Saturday, April 30, 2016

The Greatness of Barry Altschul


http://www.drummerworld.com/drummers/Barry_Altschul.html
...Barry Altschul's roots are in bebop. His approach to that music draws from an unusually rich and varied sonic vocabulary. He uses the past as grounding and guide, not as a directive. His strong listening skills support his ability to invent and respond freely in the moment. He can thus begin with a tune, but take it anywhere that his ears might lead him in the moment--within, around, or away from the tune. (Bob Gluck, The Miles Davis Lost Quintet and Other Revolutionary Ensembles, 2016, p. 93.